Articles

Lance Oppenheim and David Bolen discuss how they brought the spontaneity and surreality of their documentary work into their first narrative feature about the creation of “To Catch A Predator”.

Writer-director Liz Sargent discusses the visual inspiration and journey behind her feature film debut Take Me Home, adapted from her Sundance breakout short.

Prolific Director Richard Linklater dives into Nouvelle Vague, his film which reimagines the making of Jean-Luc Godard’s “Breathless”. He discusses how he approached shooting the film, the upcoming release with Criterion, and what’s next for him with longtime partner Ethan Hawke.

Cinematographer Brandon Trost discusses the visual references that shaped Coyote vs. Acme, while also reflecting on the 10-year legacy of Popstar: Never Stop Never Stopping.

Cinematographer Eric Yue discusses his collaboration with Jane Schoenbrun on Teenage Sex and Death at Camp Miasma, developing the film’s visual language, and the cinematic influences behind their take on the summer camp slasher.

Acclaimed Director Gregg Araki discusses Gen Z’s affection for his work, his do-it-all mentality to no-budget filmmaking, and what films inspired I Want Your Sex, his highly anticipated return to feature filmmaking.

Director Xander Robin and DP David Bolen discuss finding unique subjects and a surreal, dreamy look for their new documentary about competitive Florida python hunters.

The cinematographer and colorist duo behind Spider-Noir discuss how they found the color and black and white looks for the new series.

Learn how lens size – a.k.a. focal length, affects the practical, visual, and emotional impact of a shot, and how you can pick the best lens to express your vision.