Articles

31 articles
Artist SpotlightsFilms in Focus

Photographic Paranoia: James Wong Howe’s Cinematography in ‘Seconds’

Read our article on James Wong Howe, one of the most groundbreaking and influential cinematographers in cinema history known for his bold use of unusual lenses, film stocks and shooting techniques.

Technical Analysis

The Frame Within a Frame

A deep dive on the “frame within a frame” composition technique and the diverse ways that filmmakers have used it across cinema history.

Technical Analysis

How to Frame Your Villain

Learn the various techniques filmmakers use to craft unforgettable villains, like breaking the fourth wall, low angle shots, and more!

Films in Focus

A Collection of Wallpaper in Film

From The Umbrellas of Cherbourg to Severance, step into a world of stunning, story-shaping wallpaper in film.

Technical Analysis

Negative Space: The Art of Doing More with Less

Discover how negative space uses restraint to guide the eye and deepen visual impact with examples from Punch-Drunk Love, Blade Runner 2049, Severance, and more!

Technical AnalysisFilms in Focus

The Art of the Fight Scene

We’ll explore how camera angles, composition, and lensing all contributed to building out three iconic fight sequences.

Technical Analysis

Seeing Double: The Art of the Split Diopter

Popularized in the 70s by innovative directors like Brian De Palma, the split diopter lens has become a bold tool for visual storytelling; heightening tension, creating thematic connections between characters and environments, and adding stylized flare to help tell stories through layers, literally.

Films in Focus

Films in Focus: The Night of the Hunter

Ever wondered what makes The Night of the Hunter so hauntingly unforgettable? We’re exploring the visual language behind the film’s bold style and direction.

Technical Analysis

How Filmmakers Use Depth

Learn how filmmakers leverage depth across different narrative contexts, from composition and action to creating connection, scale, and even deliberate flatness.